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Requinto
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Requinto 2A - Algarrobo |
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See photographs
Back and Sides: AAA grade solid
Paraguayan Algarrobo
Soundboard: AA grade solid Canadian Engelmann Spruce or AA grade solid
Western Red Cedar.
Headplate: Algarrobo or Brown Ebony
Bridge: Algarrobo or Brown Ebony
Neck and headpiece: Paraguayan Red Cedar
Neck reinforcement: Brown Ebony
Fingerboard: AA grade black Ebony
Binding: Caavera (wood)
Rosette: Hand made in Argentina
Tuners: Schaller Hauser or Lyre Standard Bronce
Tuners with
Cream buttons
Saddle and nut: Bone
Width at the nut:
52
mm.
Thickness at the nut: 22 mm
Frets:
21
Scale:
540 mm
Finish: Polyurethane varnish
Requinto Code: RE-2A
USD
1050
Add to Cart
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Requinto 1A - Pau Ferro |
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See photographs
Back and Sides: AAA grade solid
Bolivian Jacaranda (Morado, Pau Ferro sometimes confused with
Brazilian Rosewood )
Soundboard: AAA grade solid Canadian Engelmann
Spruce or AAA grade solid Western Red Cedar.
Headplate: Brazilian Rosewood
Bridge: Brazilian Rosewood
Neck and headpiece:
Paraguayan Red Cedar
Neck reinforcement: Three layers of wood or Brown Ebony
Fingerboard: AAA grade black
Ebony
Binding: Caavera (wood)
Rosette: Hand made in Russia
Tuners: Schaller Hauser or Lyre Standard Bronce Tuners with
Cream buttons or Dutch
Gold tuners whit Pearloid buttons
Saddle and nut: Bone
Width at the nut:
52
mm.
Thickness at the nut: 22 mm
Frets:
21
Scale:
540 mm
Finish: Polyurethane varnish
or Nitrocellulose lacquer
Requinto Code: RE-1A-PF
USD
1370
Add to Cart
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Requinto 1A - Indian Rosewood |
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See
photographs
Back and Sides: AAA grade solid
East Indian Rosewood
Soundboard: AAA grade solid Canadian Engelmann
Spruce or AAA grade solid Western Red Cedar.
Headplate: East Indian Rosewood
Bridge: East Indian Rosewood
Neck and headpiece:
Paraguayan Red Cedar
Neck reinforcement: Three layers of wood or Black Ebony
Fingerboard: AAA grade black
Ebony
Binding: Caavera (wood)
Rosette: Hand made in Russia
Tuners: Schaller Hauser or Lyre Standard Bronce Tuners with
Cream buttons or Dutch
Gold tuners whit Pearloid buttons
Saddle and nut: Bone
Width at the nut:
52
mm.
Thickness at the nut: 22 mm
Frets:
21
Scale:
540 mm
Finish: Polyurethane varnish
or Nitrocellulose lacquer
Requinto Code: RE-1A-IR
USD
1370
Add to Cart |
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Requinto 1A 7- String - Indian Rosewood |
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See
photographs
Back and Sides: AAA grade solid
East Indian Rosewood
Soundboard: AAA grade solid Canadian Engelmann
Spruce or AAA grade solid Western Red Cedar.
Headplate: East Indian Rosewood
Bridge: East Indian Rosewood
Neck and headpiece:
Paraguayan Red Cedar
Neck reinforcement: Three layers of wood or Black Ebony
Fingerboard: AAA grade black
Ebony
Binding: Caavera (wood)
Rosette: Hand made in Russia
Tuners: Der Jung with black buttons
Saddle and nut: Bone
Width at the nut:
52
mm.
Thickness at the nut: 22 mm
Frets:
21
Scale:
540 mm
Finish: Polyurethane varnish
or Nitrocellulose lacquer
Note: Armrest, porthole, and special cutaway are extra.
Requinto Code: RE-1A7-IR USD
1450
Add to Cart |
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Requinto 1A - Birdseye Maple |
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See
photographs
Back and Sides: Solid Birdseye Maple
Soundboard: AAA grade solid Canadian Engelmann
Spruce or AAA grade solid Western Red Cedar.
Headplate: East Indian Rosewood
Bridge: East Indian Rosewood
Neck and headpiece:
Paraguayan Red Cedar
Neck reinforcement: Three layers of wood or Black Ebony
Fingerboard: AAA grade black
Ebony
Binding: Caavera (wood)
Rosette: Hand made in Russia
Tuners: Schaller Hauser or Lyre Standard Bronce Tuners with
Cream buttons or Dutch
Gold tuners whit Pearloid buttons
Saddle and nut: Bone
Width at the nut:
52
mm.
Thickness at the nut: 22 mm
Frets:
21
Scale:
540 mm
Finish: Polyurethane varnish
or Nitrocellulose lacquer
Requinto Code: RE-1A-MP USD
1550
Add to Cart
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Feedbacks
Dear Maestro Gustavo,
Please forgive my lack of communication since you shipped my requinto. It did
not arrive quite as DHL promised -- by Monday November 22nd. For some
unexplained reason it sat in Cincinnati for 24 hours and did not arrive until
Tuesday the 23rd, by which time we'd had to leave on holiday. But in some ways
that was ok, since the case I'd bought for it had to be modified anyway -- I
would have worried taking it in the baggage section on the plane ride.
In any case it was there waiting when I got back on the 27th, beautifully and
carefully packed, perfect. The craftsmanship is beautiful, the finish
impeccable. But the sound ... Dear Gustavo, I spent 4 years in music school at
Peabody Conservatory in Baltimore, studying with Aaron Shearer, and over the
years have played several fine guitars. But I have never heard or played a more
beautiful instrument. It speaks immediately, clearly, whether whispering in
molto tasto or ponticello, or commanding near the sound hole. The 7th string is
simply out of this world. The ability to add the lower 5th, for example in the
Milan Pavans or Bach, is indescribably thrilling.
I played the opening piece for our church's Christmas Eve celebration the past
Friday night -- Lo How a Rose 'eer Blooming -- in an arrangement that goes from
whispering piano to maximum forte, and uses all 7 strings, and people who have
heard me play that piece many times before on my 6 string all were moved by the
beautiful voice of your requinto. It projects better than my 6 string, even with
a much smaller box. And while the shorter string length limits the absolute
tonal range a touch compared to the larger instrument, it really is very hard to
tell.
From the Oribes and Ramirezes I've played, and many others I have heard, I've
never heard a better instrument. The fingerboard fits my hand as well as any
I've tried. I'm still getting used to 7 strings, but I'm loving the process.
Had I played an instrument like this as a student many many years ago, it's hard
not to imagine I would have made music my career instead of my avocation.
I look forward to many many years of enjoyment with this gorgeous guitar, and of
many compliments from listeners who are lucky enough to hear it.
These words can only begin to express my thanks.
I am, with deepest gratitude, yours truly,
Scott Johnson, PhD
Virginia, USA
Requinto 1A (7-string, Indian Rw and Spruce)
Read
here more feedback
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